In a Giant’s Eye

ABOUT PRINT & FRAME

Fine Art Prints

Each Limited Edition Archival Fine Art print is produced on museum grade quality Hahnemuehle 325g Baryta Fine Art paper.

The clearly visible, exquisite felt structure lends the paper its lovely soft feel and tactile surface texture to produce prints with a stunning three-dimensional quality and depth. The high-gloss finish produces outstanding print results with perfect reproduction of colour and detail, deep blacks and striking contrasts. This acid- and lignin-free Fine Art paper meets the most exacting requirements for age resistance and longevity.

Edition Numbers

Each Limited Edition Fine Art print is signed by the photographer and carry’s the edition number. The Edition number will be advised at the date of purchase.

Certificate of Authenticity & Hologram

The Hahnemühle Certificate of Authenticity is designed to protect the security and genuineness of your Limited Edition art work.

Each certificate is made of premium deckle edged mould made paper with a Hahnemühle watermark and fluorescent security fibres. A serialized numbered hologram is attached. A second, identically numbered hologram is applied to the reverse side of the framed art work.

The combination of certificate and hologram assures that each Certificate of Authenticity relates to one particular piece of art.

Framing

Every Fine Art print is framed in house at the Brett Gallery framing studio with a comtemporary contrast grey aluminium frame.

Each framed Fine Art print comes with 2 museum grade conservation white mountboards and non reflective UV glass.

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PRINTS FOR CONSERVATION

Through the sale of our Fine Art prints we support wildlife conservation. 10% of the sale price of each Fine Art print is donated to conservation projects in Africa.

Photographs of wildlife taken in East Africa (Kenya, Tanzania and Uganda) will support the Sheldrick Wildlife Trust (https://www.sheldrickwildlifetrust.org/). The Sheldrick Wildlife Trust raises orphan elephants (and other wildlife) found throughout Kenya and gradually reintroduces them to the wild. Furthermore, it supports the Kenya Wildlife Service in anti-poaching activities and treating injured animals throughout Kenya.

Photographs of wildlife taken in Southern Africa (Zimbabwe and Namibia) will support the Bushlife Conservancy (https://bushlifeconservancy.org/), which supports Zimbabwan Parks Authority in anti-poaching activities in the Lower Zambesi valley.